Thursday, 24 February 2011

Double page spread 2



Here is my second analysis of an NME double page spread. I have again analysed the different features including the house style used. I have also talked about what colours and different text styles are used.

Double page spread analysis 1

Here is my in depth analysis of an NME double page spread. I have discussed the various features used including, the image used, the style of the different texts and the colours used.

Contents page 2


Here is my second contents page analysis, it includes an in depth analysis of the house style used including, the different texs, the picture and the colours used.

Wednesday, 23 February 2011

NME Contents page analysis

This is a contents page analysis from a NME magazine. I have done an in depth analysis talking about the house style used, the different colours used, the different fonts and how these make people interested in the magazine.

Sunday, 20 February 2011

Eminem Nme front cover analysis

Here I have analysed a second Nme front cover, this time the theme for the magazine is music festivals. I have done an in depth analysis of the different pictures, titles, colours and semiotics used to portray this theme.

Wednesday, 9 February 2011

Semiotics.

Semiotics, or semiology, is the study of signs, symbols and signification. Examples of semiotics are, the blue "f" internet icon for facebook or the "w" for wikipedia. An example of semiotics used in music magazines is the red "Q" that always appears on the front cover of Q magazine. This particular icon has never been changed and the distinctive red colouring makes people associate the red "Q" with Q magazine.

Moodboard

This is a moodboard of my favourite artists. Artists include, Kasabian, Eminem, Arctic Monkeys, The Beatles, Nirvana and others. Genres include, indie rock, rock and hip hop/rap. I will be using this when makiing my decision on what genre my music magazine will be based on. I will choose between one of these genres shown above before making my front cover.